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Archive for the 'Anal Probe Rating' Category


Resident Evil: Extinction - 2007

February 23, 2008 - 9:42 pm - Posted by Administrator

Alright, I’ve fucking had it OK? I give. Please stop making Resident Evil movies. It’s massively fucked up when you can turn this into an economically-successful movie franschise.

I’ll admit, when the original came out to respectable praise, it did bring an aura of legitimacy to movies that began as a concept for a video game. And the sequel was pretty okay too. But this is too much. Seriously.

First, at the beginning of the movie when Milla Jovovich does a voiceover explanation of events thus far, she explains how the human race has come nearly to extinction and the continents are now barren deserts. The very next sequence is an aerial shot of the desert. And I wonder immediately if the story has been modified on a whim by a screenwriter or director who thinks post-apocalypse pictures have to look like a Mad Max movie (or a Tupac Shakur video if you prefer). No green stuff allowed please! OK, me being anal. I’ll grant you.

In the first minutes of the movie our primary heroine Alice [Milla Jovovich] is killed (to my great puzzlement). Then we’re informed she was merely one clone of dozens… presumably so we won’t be surprised when a character who should be dead shows up alive later in the movie. I think it’s always good for a character to be made disposable, don’t you? Who cares if she lives? They’ll just poop out another copy of Alice and we can try again. Maybe somebody could have asked Sigourney Weaver how that worked out for Ripley’s box office receipts.

But, when we get to the first major action sequence–I say ‘major’ because there’s no shortage of action, major, minor, necessary or unnecessary–it’s Alice versus a redneck family who lured her to a radio station with a phony distress broadcast. They’ve trained the now-familiar Resident Evil hellhounds to attack like doberman junkies on t-virus dope, and Alice’s first battle is a protracted one with multiple slimy red mutts. Once she escapes from the mutts–and the rednecks–the real movie can begin.

The t-virus has destroyed the world. To survive, humans must stay mobile and ready to confront any number of viral villains, including the aforementioned doggies, infected birds, and of course a plethora of zombies.

It only took forty-nine minutes before I saw a scene that was so derivative, so cheesy, so poorly done that I wanted to press ‘Stop’ soooo bad… a scene where the scientist–Dr. Isaacs [Iain Glen]–has a conversation with a holographic character in a black suit and black shades. The actor whose name I have been unable to track down appears to be overtly trying to emulate the appearance and tight-mouthed speech pattern of Hugo Weaving’s Agent Smith from the Matrix movies. And the special effect used when the holograph disappears is so cheap, it reminded me of my days grazing episodes of Star Trek: Voyager on UPN–cheap special effects to make up for bad storylines–it’ll work great! Once I saw this scene, I couldn’t stop thinking about how some movie studio head saw the first cut of Extinction and said

“You know I don’t see any hipness to this cut… couldn’t you add some of those snazzy suits and Ray-Ban sunglasses like the Matrix? All the kids seem to love that stuff these days.”

And some studious little movie rat went and wrote it into the movie as an afterthought.

Ali Larter is too hot and feminine for a badass chick in a post-apocalyptic world, not to mention too clean–rub some dirt on her face will you? The cowboy character is annoying. The science storyline is a waste of time. The blood is excessive and unnecessary and has lost it’s power to shock. And something about the Resident Evil franchise taking a post-apocalyptic turn–with earthtone textures and cloudless blue skies–in a story that began as a tale about zombies in a gothic mansion… it just doesn’t seem right. I almost wonder if they went too-far to the science fiction end of the scale when maybe they should have stayed to the left end of the suspense/horror scale.

The original is worth seeing, the sequel if you’re desperate, but this third installment blows. Forget it.

Anal Probe Rating: It’s two hours of discomfort and you won’t remember it tomorrow.

Posted in 2007, Anal Probe Rating, Environmental Disaster, Pandemic, Post-Apocalypse | No Comments »

It! The Terror from Beyond Space - 1958

December 15, 2007 - 9:08 pm - Posted by Administrator

It! The Terror from Beyond Space is your typical fifties science fiction movie… spaceships, rubber-suited actors portraying alien monsters, special effects that may or may not work as intended, and so forth.

This movie takes place in the distant future of 1973, by which time we’ll surely be flying to the planet Mars. And hence, the concept… a mission to Mars has been wiped out with the exception of one survivor. A rescue mission bringing the survivor back to Earth is then menaced along the way by a unknown alien which has apparently stowed away on the ship.

If that premise sounds a little familiar, it may be due to a similarity to a much higher profile movie which came later, Ridley Scott’s Alien. Internet fans and non-fans have long insisted Alien bears an uncanny resemblance to this film. And in this viewer’s opinion, I would agree, not that I see anything wrong with that. Both movies take place on spaceships with multiple levels. In Alien, the alien is held at bay with flamethrowers. In It!, with a blowtorch. In Alien, the creature is pursued through the air vents. There’s a nearly identical scene in It! There are other similarities as well.

In the end, It! The Terror from Beyond Space is a low budget, poorly produced attempt at realizing a good science fiction concept. Special effects that couldn’t be created in the fifties were simply avoided with directing tricks. For example, the ship’s passengers rig a vent shaft with grenades to keep the alien out. When the alien comes through the shaft, the director cuts to a shot of the crew listening to the explosion on an intercom several levels above, thereby eliminating the need to show the explosion. However, when the camera returns to the vent shaft, which by all rights should be a smoke-filled environment due to the explosion which just happened, the rubber-suited alien comes out of the vent shaft a full ten seconds before the special effects crew remembers to blast some smoke into the scene. Either it’s a mistake that was overlooked, or it was ignored due to a time and money crunch. Either way, it’s a good example of why I can’t watch too many sci-fi flicks from the fifties.

Anal Probe Rating: It’s two hours of discomfort and you won’t remember it tomorrow.

Posted in 1950's, Alien Contact, Anal Probe Rating, The Future | No Comments »

Alien Nation - 1988

December 13, 2007 - 11:32 pm - Posted by Administrator

Alien Nation is a cops-and-drug-dealers tale masquerading as a science fiction movie. Don’t get me wrong, I think there’s a place for that story in the realm. I just remember feeling deceived once I saw it in the theatre… the marketing campaign had left me to expect a hardcore alien contact movie, and instead I got a buddy cop movie where one of the cops was an alien. I don’t know… I didn’t dig it.

Aliens arrive on Earth, refugees looking for a new home. Of course we allow the “Newcomers” to settle among us. Everything will be cool, right?

Alien Nation stars James Caan as Detective Matthew Sykes, forced to partner with a “Newcomer” cop named Sam Francisco (Mandy Patinkin). Together they investigate “Newcomer” crimes influenced by a powerful alien psychotic drug.

The script isn’t entirely without sci-fi merit. The idea that the Newcomers were deathly afraid of water was interesting. It seems water to an alien is the same as battery acid to a human. And the concept of aliens arriving on Earth in spaceships will always be a sci-fi staple. I just wish I hadn’t wasted my $6.50 to see this one.

Alien Nation was also the basis for a semi-successful TV Series of the same name.

I give Alien Nation the lowest rating available:

The Anal Probe: It’s two hours of discomfort, and you won’t remember it tomorrow.

Posted in 1988, Alien Contact, Alien Invasion, Anal Probe Rating, The Future | No Comments »